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armed forces going back to George Washington’s army, and the Newport sex scandal of 1919 occurred two full decades before this era.) I think it’s fair to say that most of these pictures were made without the least thought of their sexiness, but that the camera’s eye - as in so many things - reveals something true not only about the subject but about the photographer as well. (There are well-documented stories of gay soldiers in the U.S. But of course a significant number of these guys found themselves at least partway up the Kinsey scale, and had experienced in some way sex with other men, whether just a fleeting encounter or something more permanent. To them, sex was for men and women, end of story, and God knows there are no women in these pictures. It would literally never occur to a lot of these guys that their photos give off sexual heat. Most kids - especially poor kids, but everyone - had far less of a sense of physical privacy than we do. Tenement kids slept three and four to a bed. A soldier from a Kansas farm had spent his youth skinny-dipping in the local pond with his friends plenty of outhouses, and even some school bathroom stalls, had more than one seat city high-school kids showered in an open room with nozzles along the wall, sans curtains or dividers, daily after gym class. “Just grab-ass,” they’d say.Įven outside the service, men of that era probably saw each other naked more than we realize. As Bowers points out, practical jokes that many of us would now consider invasive - slipping a hand down someone’s pants to tweak his penis, say - were within the realm of just-boys-being-boys high jinks. If you served on the field of combat, you saw other men naked a lot more than you might today, even if you go to the gym after work. There’s no privacy in a foxhole showers were rare and often communal, and toilets were open-hole latrines.
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Moreover, we forget - and are reminded by an essay in the book by a World War II Marine named Scotty Bowers - about the physical closeness that these fighting men lived with. As for the candid nudity, there are too many of these pictures out there in the world for them to have been made on the sneak, and a World War II soldier who carried a camera (and quite a few did there’s a lot of downtime in a war zone, in between the scenes of mayhem) wouldn’t have been able to hide it easily. Some (like the pyramid pose below) were certainly set up for the picture. Well, chances are they weren’t creep shots.
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The depth of House of Boys is more than skin deep.Bathing at a spring on Guadalcanal, 1943. In the end, it appears to this reviewer that the frilly titles and campy opening were intentionally misleading. Despite dealing with sexually charged themes, the film is never pornographic and expresses the sexuality of the characters tastefully. Nonetheless, every cast member gives solid performances that provide adequate depth and sympathy for their character. The film would be just as strong without the scene attempting to conclude her arc. The end of her arc, while satisfying, did not have enough set up to provide adequate pay off to the audience. One point of criticism is the arc of Emma. As the film progresses, however, the audience sees less of this and makes way for more plain, fading surroundings such as the hospital at the end of Act III. Initially, the sets ((particularly the House of boys itself)) are loud, elaborate, and colorful. Especially impressive is Schlim's use of set design to convey the change in tone within the film. The audience is allotted ample opportunity to become invested in the arcs of several of the key characters and appreciate the growth they reach at the end, with one exception. As the film progresses, the characters introduced continually strike the audience as authentic, likable, and sympathetic. Unlike a number of gay themed films, director Jean-Claude Schlim took great care that his actors performances did not come off as inauthentic or wooden.
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As Frank gets to know the rest of the performers and their stories, this reviewer finds that the audience will get more than what they bargain for as Frank starts to learn about the World in its troubles. After being abandoned by by a friend, Frank wanders into the gay strip club/brothel the House of Boys, where he is offered a job. House of Boys follows the story of Frank, a young man who runs away from home in order to pursue a liberated lifestyle in Amsterdam. The first ten minutes of this film might lead you to believe that it is little more than a campy celebration of homo-eroticism however, this could not be further from the truth.